Keyword Analysis & Research: iconoclasm
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Iconoclasm - Wikipedia
https://en.wikipedia.org/wiki/Iconoclasm
WEBIconoclasm (from Greek: εἰκών, eikṓn, 'figure, icon' + κλάω, kláō, 'to break') is the social belief in the importance of the destruction of icons and other images or monuments, most frequently for religious or political reasons.
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Byzantine Iconoclasm - Wikipedia
https://en.wikipedia.org/wiki/Byzantine_Iconoclasm
WEBThe Byzantine Iconoclasm ( Ancient Greek: Εἰκονομαχία, romanized : Eikonomachía, lit. 'image struggle', 'war on icons') were two periods in the history of the Byzantine Empire when the use of religious images or icons was opposed by religious and imperial authorities within the Ecumenical Patriarchate (at the time still comprising the Roman-Lati...
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Iconoclastic Controversy | Description, History, & Facts
https://www.britannica.com/event/Iconoclastic-Controversy
WEBIconoclastic Controversy, a dispute over the use of religious images (icons) in the Byzantine Empire in the 8th and 9th centuries. The Iconoclasts (those who rejected images) objected to icon veneration for several reasons, including the possibility of idolatry.
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Byzantine Iconoclasm and the Triumph of Orthodoxy - Smarthistory
https://smarthistory.org/byzantine-iconoclasm/
WEBDec 6, 2023 · Iconoclasm refers to any destruction of images, including the Byzantine Iconoclastic Controversy of the eighth and ninth centuries, although the Byzantines themselves did not use this term. Iconomachy (Greek for “image struggle”) was the term the Byzantines used to describe the Iconoclastic Controversy.
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Byzantine Iconoclasm and the Triumph of Orthodoxy
https://www.khanacademy.org/humanities/medieval-world/byzantine1/beginners-guide-byzantine/a/iconoclastic-controversies
WEBIconoclasm refers to any destruction of images, including the Byzantine Iconoclastic Controversy of the eighth and ninth centuries, although the Byzantines themselves did not use this term. Iconomachy (Greek for “image struggle”) was the term the Byzantines used to describe the Iconoclastic Controversy.
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Iconoclasm - National Gallery of Art
https://www.nga.gov/features/byzantine/iconoclasm-.html
WEBIconoclasm. The opposition to religious images known as Iconoclasm began during the reign of Leo III (717–741), but may not have become official policy until his son Constantine V banned the making of icons in 754. The prohibition was lifted from 787 to 815, but reinstated thereafter. Mosaics in churches of the time reveal that figurative ...
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Icons and Iconoclasm in Byzantium | Essay | The Metropolitan …
https://www.metmuseum.org/toah/hd/icon/hd_icon.htm
WEBIconoclasm literally means “image breaking” and refers to a recurring historical impulse to break or destroy images for religious or political reasons. For example, in ancient Egypt, the carved visages of some pharaohs were obliterated by their successors; during the French Revolution, images of kings were defaced.
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Byzantine Empire - Iconoclasm, Religion, Empire | Britannica
https://www.britannica.com/place/Byzantine-Empire/The-age-of-Iconoclasm-717-867
WEBByzantine Empire - Iconoclasm, Religion, Empire: For more than a century after the accession of Leo III (717–741), a persisting theme in Byzantine history may be found in the attempts made by the emperors, often with wide popular support, to eliminate the veneration of icons, a practice that had earlier played a major part in creating the ...
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A Short Guide to Iconoclasm in Early History - JSTOR Daily
https://daily.jstor.org/short-guide-iconoclasm-early-history/
WEBJan 28, 2015 · In the 8th century, the Eastern or Orthodox branch of Christianity gave history the word iconoclasm, from the Greek words for “icon smashing.” In Orthodox Christianity, ikons –images of God, Mary, saints, and martyrs– are more than just paintings or mosaics: they are holy objects in of themselves and worthy of veneration.
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When Art Divided an Empire: What Was Iconoclasm in Byzantium?
https://www.thecollector.com/what-was-iconoclasm-in-byzantium/
WEBAug 18, 2022 · Iconoclasm is a period of Byzantine history usually chronologically placed between 730 and 843. During these 113 years, with a short intermission between 787 and 815, iconography, the more than 4 centuries-long artistic tradition of the Eastern Roman Empire suffered great losses.
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